Kodak 3880036 2 Datasheet Page 3

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KODAK ROYAL Digital Paper E-7021 3
PRINT FINISHING
Dust Spotting
Use KODAK Liquid Retouching Colors to correct dust spots
on prints made with this paper. To apply dyes, follow this
procedure:
1. If necessary, clean the surface of the print by buffing it
with a tuft of cotton before you start retouching. Be
careful not to scratch the surface. Protect the print
from fingerprints and perspiration by wearing cotton
gloves (e.g., KODAK Cotton Gloves).
2. Transfer a small amount of the dye(s) you need to a
palette.
3. If necessary, add a touch of neutral dye to the puddle
of pure colored dye. The neutral dye will reduce the
brilliance of the pure colors by adding density. For
good control, keep the dilutions weak by adding a little
distilled water. This allows you to build up the dye
gradually on the print. It is easier to add dye gradually
than to remove it if you apply too much.
Note: If the liquid dyes on your palette dry out, you can add
water to dilute them again.
4. Pick up a small amount of dye with your brush, and
stroke the brush on newsprint or a paper towel to blot
it thoroughly. Too much moisture can cause
opalescence, or a cloudy look, on the print. Rotate the
tip on the newsprint to form a good point. Do not use
your tongue or lips to form a tip.
5. Retouch the print with light strokes of the brush; be
sure to keep the dye within the area of the spot. Avoid
spilling over into the surrounding area. Any
overlapping will result in a dark ring around the
spotted area.
6. If you apply too much color, blot it quickly with
newsprint or you will have too much density in the
spot. If too much dye penetrates the emulsion, you
can remove it with a 5-percent clear ammonia-water
solution. (You can make a 5-percent solution by
mixing 5 parts of 28-percent liquid ammonium
hydroxide with 23 parts water.) Apply the solution
with a tuft of cotton, rubbing it with a circular motion.
Be sure to apply it only to the area where you want to
remove the dye. Then swab the area with clean
water-dampened cotton. Repeat if necessary with a
fresh tuft of cotton. Be sure to remove all of the
ammonia. Allow the area to dry thoroughly before you
resume retouching. For best results, remove
unwanted dye quickly.
STORAGE AND DISPLAY OF PRINTS
ROYAL Digital Paper has been formulated to provide
improved dye stability and print longevity for prints
displayed under typical home lighting conditions (i.e.,
120 lux for 12 hours a day) and typical home dark storage
conditions (i.e., 20 to 23°C [68 to 73.4°F] and 50%
relative humidity). Product modifications have provided an
improvement in the fade neutrality when compared with
previous papers.
Despite the improvements in print longevity and fade
neutrality, photographic dyes, like all dyes, can change
with time and exposure to sunlight, ultraviolet radiation,
excessive heat, and high humidity. To help prevent
changes in photographic dyes, follow these guidelines:
Illuminate prints with tungsten light whenever
possible.
Display prints in the lowest light level consistent with
your viewing needs.
If a print is exposed to direct or indirect sunlight or
fluorescent light, use an ultraviolet-absorbing filter
(such as glass) between the light source and the print.
For prints displayed behind glass, maintain a slight
separation between the prints and the glass.
Keep the temperature and humidity as low as possible.
Use album materials described in KODAK Publication
No. E-30, Storage and Care of KODAK Photographic
Materials—Before and After Processing.
Mounting/Laminating
Prints can be mounted using a contact type adhesive or
cement for cold mounting. In addition, prints can be
mounted or laminated using pressure sensitive materials
with a roller mounting or laminating system.
If the prints are to be displayed behind glass, maintain a
slight separation between the print and the glass.
Mounting or laminating prints at high temperatures is
not recommended.
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